FlexRadio Systems by Gerald K5SDR. Nice Video

"Real Radios Don't Need Knobs"



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Look to the following link to see the features of the Flex 5000. This is a comparrisson of the

Flex 5000 with the Icom 756 Pro III


Nice Video - Compare Flex 5000 with Icom IC 756 ProIII




Console

Flexradio Page

http://flex-radio.com/

Flexradio FAQ Link

Flexradio FAQ Link (Please push this to see further Information)

German SDR Forum

http://www.dl0sdr.de/

Rob Sherwood Compare Performance

http://www.sherweng.com/table.html

Current Equipment 2008

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FLEX-5000

 


http://www.flex-radio.com/



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Production picture`s

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FlexRadio Systems introduces the FLEX-5000 line of open source Software Defined Radio (SDR) transceivers. The FLEX-5000 family follows the very popular SDR-1000, and now integrates all sound card functions and control over a single FireWire(R) (IEEE 1394) cable connection to a user provided computer. A separate sound card is not required. There are three versions of the FLEX-5000 (models A, C and D) each providing higher levels of integration.

The FLEX-5000A model is the base radio and it’s feature set is defined below.The FLEX-5000A Feature Set     

                                                                          

■ Better Two-tone 3rd order dynamic range at 2 kHz spacing than the SDR-1000

■ Frequency Stability: 0.5 ppm, TCXO equipped

■ Individual optimized bandpass filters for all Ham Bands

■ Receiver can monitor transmitter spectrum

■ SO2R ready with optional second receiver

■ FlexWire™ interface for external control of rotator, antenna, and much more.

■ 100 watts PEP output 160-6 meters

■ General coverage receiver

■ Separate RX antenna connectors for optimal reception

■ Optional full performance second receiver (dual watch is standard)

■ Single FireWire connection to computer

■ Full Duplex transverter ready.

■ Fully automatic internal test/calibration. No external calibration equipment necessary

■ Internal antenna switching for up to 3 antennas plus receive only antenna

■ Balanced TRS line/microphone input

■ Full duplex RX and TX

■ Quiet high volume fan keeps unit cool

■ Optional full featured ATU 160-6m


FLEX-5000A Transceriver Specifications

General

Rx Frequency Range:

10 kHz - 65 MHz (operating)

160 - 6 m (specified performance, Amateur bands only)

Transmitter Frequency Range:

160 - 6 m (Amateur bands only)

Frequency Stability:

±0.5 ppm 32 °F to 122 °F (0 °C to +50 °C)

Operating Temperature Range:

14 °F to 122 °F (–10 °C to +50 °C)

Emission Modes:

A1A (CW), A3E (AM), J3E (LSB, USB), F3E (FM),

F1B (RTTY), F1D (PACKET), F2D (PACKET)

Frequency Steps:

1Hz minimum

Antenna Impedance:

50 Ohms, unbalanced

6 - 1000 Ohms, unbalanced (With Optional Tuner ON, 160 - 10 m Amateur bands)

16 - 150 Ohms, unbalanced (With Optional Tuner ON, 6 m Amateur band)

Power Consumption:

Rx 1.5A (typ.); Tx (100 W) 25A (max.)

Supply Voltage:

DC: DC 13.8 V ± 10%

Maximum Interconnect Cable Length:

Firewire - 10 feet (3m),

No restriction on DC power cable within voltage tolerance limits under load.

Special EMI/RFI Requirements:

1 snap on ferrite bead on DC power cable,

2 snap on ferrite beads on FireWire cable

1 snap on ferrite bead on FlexWire cable

All beads to be located adjacent to rear panel of radio. 

Dimensions:

(WxHxD): 9.3” x 8.7” x 13.8” (23.5 cm x 22.1 cm x 31.5 cm)

Weight:

(approx.): 13 lbs (5.9 kg)

 

Transmitter

Power Output:

1 - 100 watts PEP CW and SSB (2 - 25 watts AM carrier)

Emission Modes Types:

A1A (CWU, CWL), J3E (USB, LSB), A3E (AM), F3E (FM), DIGITAL

Harmonic Radiation:

Better than –55 dB (160 - 10m Amateur bands)

Better than –65 dB (6m Amateur band)

SSB Carrier Suppression:

At least 55 dB below peak output

Undesired Sideband Suppression:

At least 55 dB below peak output

Audio Response (SSB):

Flat Response 10 Hz to 20 kHz, Software EQ optional

3rd-order IMD:

Better than –33 dB below PEP @14.2 MHz 100 watts PEP

Microphone Impedance:

600 Ohms (200 to 10k Ω)

Balanced Line In Impedance: 

600 Ohms (200 to 10k Ω)

 

Receiver

Circuit Type:

Direct conversion, low IF

Intermediate Frequency:

Software selectable from DC to 20 kHz

MDS:

14 MHz Preamp off/on: 1.3/0.3 µV;

MDS: -123 dBm/-133 dBm in 500 Hz BW

IP3: 

+30 dBm at 14 MHz with preamp off at 2 kHz or less tone spacing

(S5 IM3 method)

Selectivity (–6/–60 dB):

CW  500 Hz –6/-60 dB: 500/640

SSB 2.4 kHz –6/-60 dB: 2.39/2.54

AM  6.6 kHz –6/-60 dB: 6.60/6.74

Image Rejection:

70 dB or better (160 - 6m Amateur bands)

 

Specifications are subject to without notice or obligation, and are guaranteed only within the amateur radio bands.

 

Certifications:

CE Declaration of Conformity (25-August-2007)

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Top Performing Narrow-Spaced Two-Tone 3rd Order IMD Dynamic Range at 2 KHz - (Not 20 KHz Like Everyone Else Advertises).  An Incredible 105 dB on 14 MHz.

It is becoming evident that close-in dynamic range is the most useful specification to evaluate a receiver's performance.  Receiving narrow bandwidth signals under crowded band conditions are where good receivers are separated from the best receivers.  Most radio manufacturer's do not publish their 2 KHz two-tone, third-order dynamic range values because it is easier to get better looking numbers at 20 KHz that are not that applicable to real world operating conditions.  The FLEX-5000 at 2 KHz spacing, exceeds traditional radio manufacturer's top of the line performance by as much as 10-25 dB, depending on the model.

Industry Leading Narrow Spaced 3rd Order Intercept Point:  +33 dBm at 2 KHz Tone Spacing.

A lot of focus in recent years has been put on the third-order intercept point (IP3) to tout a receivers performance.  This specification is not an actual measured number; it is calculated from two other parameters.  Therefore the IP3 value can vary dramatically based on the tone spacing used to make the measurements. The $10,000 radio manufacturers publish wide-spaced (20 KHz) IP3 values of +40 dBm, but shy away from reporting the "real world" close-in IP3 values.  Why?  This is because performance degrades dramatically inside their expensive roofing filters.

FlexRadio took a different approach – design the receiver to handle large signals at any spacing.  That means that with the FLEX-5000, as well as its SDR-1000 predecessor, IP3 and thus third order dynamic range will not degrade as tone spacing (even at 100 Hz) is decreased.  In practical terms, that means you can work the weak ones sandwiched between the high powered locals.


No Sound Card Required!

No longer do you have to worry about interfacing a sound card to your PC.  The FLEX-5000 has integrated the A/D and D/A processing hardware built inside the radio.  A high quality 192 KHz 24-bit DACs with exceptional performance numbers provides the spectral samples for the DSP to process.  The integrated converters also eliminate audio cabling requirements between the transceiver and PC

True Full Duplex Operation for Simultaneous Transmit and Receive

The FLEX-5000 is a true full duplex transceiver with independent transmitter and receiver signal paths. This means that you can use the transmitter and receiver simultaneously for monitoring one band while transmitting on another when used with the optional full performance second receiver. With external transverters, full duplex satellite operation is also possible. On phone and digital modes, you can hear and see the spectrum of your actual transmitted signal. Full duplex operation also allows very high speed (<10 ms) T/R switching for CW and TOR digital modes.

Additionally, the existing MultiWatch™ capabilities that exist in PowerSDR, which allows multiple receive "windows" within the passband of the DSP is also available for each receiver.  This unparalleled capability provides the most flexible receiver configuration of any amateur radio transceiver at any price!

True Diversity Receiving with the Second Independent Receiver

Using two separate antennas having different orientations with the optional full-featured, second high performance receiver, true diversity reception is a reality. Diversity reception is a well know to "top band" operators for improving the readability at the noise floor.  By locking both receivers to the same frequency you can produce "stereo diversity" which allows your brain to more easily sort the signal from the noise.

FlexWire™ Peripheral Interface Bus

With the introduction of the FLEX-5000 family of transceivers, FlexRadio Systems introduces FlexWire, an intelligent, high speed, bi-directional communications interface that allows PowerSDR to communicate with a host of peripheral devices such as antenna tuners, rotor controllers and band switchers just to name a few. A family of FlexWire peripherals will be forthcoming from the company. Complete specifications and the programming interface will be published to allow home brew and third party add-on products.

The FlexWire interface will give rise to some very unique and innovative radio peripherals due to its ability to communicate directly with the radio hardware.   Below is the FlexWire™ pinout.

  • Pin 1: Ground
  • Pin 2: Line In (AF) same as the line in RCA connector (see below)
  • Pin 3: Blocked pin to prevent accidental insertion of a RS232 serial cable.
  • Pin 4: I²C hardware Interrupt
  • Pin 5: Ground
  • Pin 6: SCL is the I²C serial clock line
  • Pin 7: SDA is the I²C bidirectional serial data line
  • Pin 8: +13.8 VDC @ 1 amp (max)
  • Pin 9 – Line Out (AF) same as the line out RCA connector (see below)

     

 

 


Single 1394 FireWire Connection to your Computer

No longer do you have to use parallel or USB connections to your software defined radio.  To fully realize all of the capabilities of the FLEX-5000 and PowerSDR, a high speed RF shielded interface between the computer and the transceiver is a necessity.  The FLEX-5000 family of transceivers utilize a single FireWire interface to facilitate access to PowerSDR.  FireWire is the optimal technology to interface radio control and I/Q audio with PowerSDR.  It will even allow the future connection of multiple radios to a single PC.

Redesigned 100 Watt 160-6m Power Amp

Completely redesigned from the ground up, the new 100 watt MOSFET push-pull amplifier produces a full 100 watts PEP on 160 to 6 meters.  The PA has excellent spectral characteristics with low IMD and exceptional signal-to-noise (S/N) ratio that produces a phenomenally clean signal.  The new power amp also has the ability to be variably biased for class A or AB operation for use with external linear power amplifiers.

Optimized 11th Order Filters for all Amateur Bands from 160 to 6 Meters

The FLEX-5000 utilizes eleven, individually optimized 11th  order front-end filters to cover each of the ham bands between 160 and 6 meters.  These individually tuned filters minimize potential interference from strong out-of-band signals for ultra quiet receiver performance.

Balanced Microphone Input

Operators are increasingly making a serious effort to get the highest quality audio within the 3 KHz bandwidth of a SSB signal.  The FLEX-5000 easily facilitates interfacing with signal processing equipment by providing a 1/4" TRS balanced audio line input.  Using the balanced line-in with a microphone pre-amplifier will allow you to use a variety of ribbon, dynamic and condenser microphones for the configuration that best fits your operating needs.  Or you can achieve studio quality audio by deploying a complex audio chain with equalizers, compressor/limiters, aural exciters and other effects processors.

Balanced Line-In (BAL LINE IN)

The balanced line–in connector (BAL LINE IN) jack on the back is a ¼” TRS (tip, ring, and sleeve) triple contact jack for accepting an audio input from a line level device or a balanced microphone.  This connector can be used instead of the MIC connector on the front panel.


 

1. Tip: Positive phase for balanced mono signals, mic (+)

2. Ring: Negative phase for balanced mono signals, mic (-)

3. Sleeve: the ground or shield connection

 

The most common way to use the balanced line-in connector is when using a balanced microphone, usually having a male XLR connector (pictured to the far right).  To interface this type of microphone to the FLEX-5000 a balanced XLR (female) to balanced ¼” TRS (male) cable is necessary.

1. Pin 1: the ground or shield connection

2. Pin 2: Positive phase, mic(+)

3. Pin 3: Negative phase, mic(-)

 

 

Below is a graphic of a balanced XLR (female) to balanced ¼” TRS (male) cable that can be used with a balanced microphone

You can also connect audio processing equipment to the BAL LINE IN using a similar cable but with the ground disconnected or “lifted” at the TRS end to eliminate ground loops.

 


Or use the Microphone (MIC) Input Yaesu plug

The microphone connector, labeled MIC is the standard 8-pin foster connector found on just about every amateur radio manufactured today.  It provides facilities to key the rig via a PTT line and to provide AF voice signals to modulate the radio in phone modes.  The connector is wired similar to a Yaesu.  Below is a pin out of the FLEX-5000 microphone connector.  This is a straight on view as if you were looking directly at the microphone connector on the front panel.  PTT is engaged by grounding pin 6 to the shield ground on pin 5, not pin 7 which is the microphone ground.



High Stability TCXO for Accurate SSB, VHF+ and Digital Modes

Frequency stability is critical when operating VHF+ or HF digital modes.  The FLEX-5000A incorporates a high stability temperature-compensated crystal oscillator (TCXO) which reduces frequency drift to no more than ± 0.5 ppm.  For even greater frequency stability, the FLEX-5000 has a software switched, external BNC connector for connecting a 10 MHz GPS disciplined or other high stability clock source.

Three Software Selectable Antenna Connectors

The FLEX-5000 has three independent SO-239 antenna connectors that can be assigned as transmit and/or receive antennas by operating band and mode. This capability provides the ultimate flexibility in contest situations or hunting for that rare DX by being able to change to a different antenna with a click of the mouse.

Separate Dedicated Receiving Antenna

Not all antennas have perfect reciprocal characteristics, meaning that a good transmitting antenna is not necessarily a good receiving antenna.  This is especially true at long wavelengths of 80 and 160 meters.  Hams that are serious about "top band" operating know the advantage of using a beverage antenna for receiving.  They also know that they are very poor for transmitting.  To overcome this dilemma, the FLEX-5000 has a dedicated receiving antenna connector.  In fact, it provides both a RX output and a RX input to allow the use of preselectors and preamps "in-line".

Transverter Ready - Full Duplex 28 MHz IF

The FLEX-5000's incredible receiver is perfect for weak signal VHF+ and WSJT operation as a 28 MHz IF for interfacing to external transverters. The FLEX-5000 will turn your VHF-UHF-microwave setup into the highest performance station around.  Full duplex operation opens the door for satellite communications as well.

Three TX Control Lines for Keying Amplifiers, Transverters, Sequencers and other Accessories

Keying external amps, sequencers and preamps is always a daunting task, but the FLEX-5000 makes it so easy with three user assignable TX control lines.  Each TX control line can be configured for its own TX delay once the PTT is engaged allowing the control of multiple devices.

No External Calibration Equipment Required

The new FLEX-5000 family incorporates Built-In Test Equipment (BITE).  This includes a swept signal generator, power sampler, and transmitted signal spectrum analyzer.  The radio is capable of testing and calibrating itself.  All models are factory calibrated and aligned to exacting standards.

Audio Line-In and Line-Out Connectors

The FLEX-5000 has consumer level (-10 dbV) line-in and line out RCA type connectors for a variety of uses, such as recording audio from a contest so you can listen to that rare DX to make sure you don't have a busted call or output streaming audio to the web from your FLEX-5000

PowerSDR™ and the FLEX-5000A - An Awesome Combination!

The FLEX-5000™ family, like the ground breaking SDR-1000, comes with PowerSDR software that performs all DSP, modulation, demodulation and control functions for the radio.  PowerSDR is the "brains" behind the FLEX-5000's "brawn".  With the release of the FLEX-5000, PowerSDR has been significantly upgraded and optimized to use a true multi-threaded architecture that greatly improves transmit and receiver performance.  This is most notable when operating full break QSK at 40 WPM where you can actually hear between the characters.

Unlike those $10,000 radios where firmware comes out once or twice a year, FlexRadio Systems provides a constant stream of enhancements that incorporate both internal and customer supplied code.  Customers simply
download and install free software updates from the FlexRadio website.


   

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Flex 5000 facts and figures
 105 dB two-tone, 2 KHz spacing third order dynamic range measured @ 14 MHz
  +33 dBm 2 KHz spacing third order intercept point measured @ 14 MHz
TCXO for ±0.5 ppm frequency stability.
  A/D converters running at 192 KHz sampling rate
Individual 11th order filters for each ham band.
Diversity reception with the addition of the optional independent high-performance second receiver (RF module)
Balanced microphone input
Three independent fully switchable transmit & receive and one dedicated RX antenna connectors available for the main transceiver
Transverter ready
Optional full-featured 160-6 meter auto tuner


FlexRadio Systems by Gerald K5SDR. Nice Video 

Used audio equipment with the Flex 5000:
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I use the MXL V6 Mike with the Behringer ULTRAFLEX PRO EX3200 with the Behringer MIC Preamp Ultragain 100 and the internal EO of the Flex 5000.

The MXL V6 Silicon Valve™large diaphragm cardioid condenser microphone provides the sound of a tube without the noise and drawbacks of multiple

cables and external power supplies. The unique design employs solid-state

FET amplifier techniques to simulate what tubes do naturally.

Made in America, MXL’s new V6 is a large diaphragm,pressure-gradient condenser microphone that provides the warmth and clarity of sound previously available only with vintage tube microphones.
The V6 is the first offering in MXL’s new Silicon Valve product
line. Made with the finest components and the highest degree of attention to detail, this is the microphone that has the industry doing second takes.

MXL V6 Silicon Valve Microphone Specifications:

  • Type: Condenser pressure gradient with 25mm (6 micron) diaphragm capsule
  • Frequency range: 30Hz-20kHz
  • Polar pattern: cardioid
  • Sensitivity: -33dbV/22mV (re 1V, 94dB SPL = 1Pa)
  • Impedance: 120W
  • Max input sound level: 130dB SPL 1kHz@ 1% THD
  • Noise: 16dBA / 3.2uV A wtd
  • Dynamic range: 114dBA / 1kHz @ max SPL
  • S/N ratio: 78dB, 1kHz @ 1Pa (re 94dB SPL = 1Pa)
  • Phantom power
  • Requirements: 48V DC, 2mA typical
  • Weight: 1.15 lbs.
  • Dimensions: 2.2"W x 8-1/2" L
  • Output connector: XLR
  • Output configuration: transformerless balanced output

MXL V6 Silicon Valve Microphone Features:

  • Large diaphragm, pressure-gradient condenser microphone
  • Cardioid pattern
  • Phantom powered
  • Frequency range: 20Hz-20kHz

Behringer EX 3200 setting:

http://www.wz5q.net/index/rack_data/3200.htm

You will hear a phenomenal increase in Sub Harmonic Low end and Brilliant Clarity in the rest

of the Frequency Response.
You might have to reduce the boost on the low end

with the EQ and use the Bass Processor Controls on the EX3200 to increase

the Harmonic content of the Low End.

SETUP: 1) You will have a Balanced Cable coming into the Input of Channel 1 using the typical TRS 1/4" connector or XLR connector utilizing the 3ea wires (Signal +, Signal -, and Shield) 2) The Output of Channel 1 going into the Input of Channel 2 will be using an Unbalanced Cable with the Mono 1/4" connector utilizing 2ea wires (Signal +, and Shield).

** THE WIRES ARE NOT REVERSED!! **

(You can use TRS 1/4" connectors for this if you short the Signal - and the

Shield together on both ends of the cable. Doing this makes

it an Unbalanced Connector)


3) You will have a Balanced Cable going out of the Output of

Channel 2 using the typical TRS 1/4" connector or XLR

connector utilizing the 3ea wires (Signal +, Signal -, and Shield)



Just another note:
If you were using Unbalanced Cables coming into the Input
of Channel 1 and

going out of the Output of Channel 2, then you would use the opposite

Balanced Cable to tie Channels 1 and 2 together.



SETTINGS:

Try these settings to start out with, as we do not know your Audio line up.

Also the best place that we found to put the EX3200, is in between the EQ and the Compressor.


Channel 1:

SHIFT

= Set to Ultra Low (Light on)

BASS PROCESSOR

= Set to "1"

MODE

= Set to Soft (light off)

AUTO NR

= Set to IN (Light on)

NR SENSITIVITY

= Set to where the LED Display just barely goes to full scale on voice peaks

TUNE

= Set to 3.3

PROCESS

= Set to Exciter

HIGH MIX

= Set to "1" (be careful with this as it will introduce "Tearing" into the audio if set to high)

SOLO

= Set to Off (Light is out)

IN

= Set to IN (Light is on)

SURROUND

= Set to IN (Light is on)

SURROUND

= Control set to "1-2"

Channel 2:

SHIFT

= Set to Ultra Low (Light on)

BASS PROCESSOR

= Set to "2"

MODE

= Set to Soft (light off)

AUTO NR

= Set to IN (Light on)

NR SENSITIVITY

= Set to where the LED Display just barely goes to full scale on voice peaks

TUNE

= Set to 5

PROCESS

= Set to Enhancer

HIGH MIX

= Set to "1" (be careful with this as it will introduce "Tearing" into the audio if set to high)

SOLO

= Set to Off (Light is out)

IN

= Set to IN (Light is on)

You will hear a phenomenal increase in Sub Harmonic Low end and Brilliant Clarity in the rest of the Frequency Response.

You might have to reduce the boost on the low end with the EQ

and use the Bass Processor Controls

the Harmonic content of the Low End.The last thing to adjust

will be the Compressor, which will smooth out the whole effect.

on the EX3200 to increase

The output of the EX 3200 goes to the balanced input of the

Flex 5000.

I use the internel EQ of the Flex 5000

Flex 5000 with 8 Band EQ and EQ Plus and MX V6 Mike








50 hz plus 4

100 hz plus 2

200 hz minus 2

400 hz minus 6

800 hz       0

1600 hz plus 2

2400 hz plus 3

3200 hz plus 4



Bass 3 o'clock

Treble 14:30  o'clock

Comp   Downward Expander off

DE level 16 o'clock

Impedence 600 not 200

Gain 09:00 clock


Effects:
Delay 10 o'clock
Delay Level 12 o'clock
Switch UP # 2

Mike MXL V6 Silicon Valve Microphone

  • Large diaphragm, pressure-gradient condenser microphone
  • Cardioid pattern
  • Phantom powered
  • Frequency range: 20Hz-20kHz

This mike need Phantom Power. I use the Behringer PS 400

for the -48 Volt.

Adjustments Flex 5000:

Select under Setup Transmit the TX Profile  PR 40-W2IHY-CPDR

Change the TX Bandwith from 125 Hz up to 3 Khz

CPDR set to 3

So the EQ of the Felex 5000 is disabled. 

Select a Mic level up to minus 3 dB

Ebtech Hum Eliminators

I use the line isolation box in front of the balanced mic input of the Flex 5000. The line output of the EX 3200 goes to the Channel 1 Line IN and the Output to the balanced Mic input of the Flex 5000.

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  • 20 Hz to 70 KHz bandwidth+/- 0.05 dB

  • Automatically converts back and forth between balanced and unbalanced lines. 

  • 1/4" TRS "smart jacks" inputs and outputs.

  • Safely breaks ground loops while leaving all signal grounds in tact with no dangerous ground lifting.
  • Automatically translates signal voltages to match differences in ground potentials, avoiding clipping.
  • Less than .005% THD @ 1KHz and channel crosstalk is better than -97dB.


http://www.ebtechaudio.com/llsheinf.pdf